{"id":20189,"date":"2023-08-01T16:31:51","date_gmt":"2023-08-01T14:31:51","guid":{"rendered":"https:\/\/gamecover.fr\/?p=20189"},"modified":"2023-08-06T10:50:43","modified_gmt":"2023-08-06T08:50:43","slug":"chronique-makoto-shinkai-lorfevre-de-lanimation-japonaise","status":"publish","type":"post","link":"http:\/\/s886853973.onlinehome.fr\/clickandbuilds\/WordPress\/GameCover\/chronique-makoto-shinkai-lorfevre-de-lanimation-japonaise\/","title":{"rendered":"[Chronique] Makoto Shinkai: L’orf\u00e8vre de l’animation japonaise"},"content":{"rendered":"
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\n \t<\/i> Temps de lecture estim\u00e9 :<\/span>4 Minutes, 14 Secondes <\/div>\n\n <\/div>\n

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Third Editions<\/em> nous offre un voyage aux c\u00f4t\u00e9s de Makoto Shinkai<\/a><\/strong> qui nous plonge dans l’\u00e9nergie, la m\u00e9lancolie palpable et les th\u00e8mes abord\u00e9s dans ses films. Cet ouvrage est bien plus qu’un hommage \u00e0 ses \u0153uvres, mais \u00e9galement une pr\u00e9sentation d\u00e9taill\u00e9e de l’auteur, \u00e9crit par Alexis Molina<\/strong>.<\/p>\n\n\n\n

A propos de l’ouvrage<\/h2>\n\n\n\n

La couverture de \u00ab\u00a0L’<\/b><\/a>\u0153uvre de Makoto Shinkai, l’orf\u00e8vre de l’animation japonaise\u00a0\u00bb<\/a><\/strong> \u00e9tant la premi\u00e8re chose que nous pouvons observer est d’une qualit\u00e9 irr\u00e9prochable et nous transporte dans les diff\u00e9rents univers cr\u00e9\u00e9s par Makoto<\/strong> (\u00e9dition classique). L’illustration choisie est une peinture faite par Sylvain Sarrailh<\/em>. Il est fan et admire le talent de l’artiste \u00e0 contempler le quotidien, les villes et la nature au travers de ses \u0153uvres. La peinture nous rappellera \u00e9videmment le ciel de Your Name<\/strong>, mais \u00e9galement la ville de La tour au-del\u00e0 des nuages<\/strong>, ainsi que la nature, repr\u00e9sent\u00e9e ici par l’herbe, de The garden of words<\/strong>.<\/p>\n\n\n\n

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\"Makoto\"<\/figure>\n\n\n\n
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Un livre en 2 parties, vous proposant un voyage dans l’imaginaire<\/h2>\n\n\n\n

Si le livre propose deux parties, nous serons absorb\u00e9s d\u00e8s le d\u00e9but. En effet, il nous pr\u00e9sente qui est Makoto<\/strong>, ses inspirations et ses ambitions. Ce dernier qui pense que le cin\u00e9ma est un moyen d’expression tr\u00e8s personnel, veut faire des films qui refl\u00e8tent ses propres sentiments et ses propres exp\u00e9riences.<\/p>\n\n\n\n

La premi\u00e8re partie va nous d\u00e9montrer sa fa\u00e7on d’interpr\u00e9ter l’animation japonaise, en parlant des r\u00e9alisations, en les d\u00e9cortiquant une \u00e0 une. En effet, chaque passage va nous permettre de mieux comprendre les th\u00e8mes, les sujets et les enjeux de chacune des \u0153uvres, ainsi que des d\u00e9tails sur leur r\u00e9alisation et les conditions dans lesquels ils ont \u00e9t\u00e9 \u00e9crits. Les parties seront souvent suivies d’annotations qui pr\u00e9cisent par exemple, quand l’auteur apporte lui-m\u00eame encore plus de pr\u00e9cision, ajoutant une profondeur dans l’ouvrage. Nous apprendrons dans ces diff\u00e9rentes parties que, quel que soit le film, les relations amoureuses qui \u00e9chouent ne sont pas forc\u00e9ment des d\u00e9faites sentimentales cuisantes, mais des \u00e9tapes n\u00e9cessaires, qui, une fois la douleur estomp\u00e9e, semblent m\u00eame donner un certain courage et une certaine force. <\/p>\n\n\n\n

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Toujours au travers de l’ouvrage, nous apprenons que certaines personnes le consid\u00e8rent comme le r\u00e9alisateur \u00e0 l’origine du troisi\u00e8me plus gros succ\u00e8s de l’animation japonaise, d’autres le voit comme le successeur et porte-\u00e9tendard de Hayao Miyazaki<\/strong>, pour d’autres, il s’agit d’un r\u00e9alisateur qui ne sait pas se renouveler. En effet, si l’on regarde d’un \u0153il non attentif, on constatera difficilement la diff\u00e9rence dans les sujets lors des premiers films de Makoto<\/strong> et ceux d’aujourd’hui. Cependant, en analysant un peu plus, on peut observer que les premiers films nous donnent une impression de brouillon pour les suivants. Quant aux journalistes, aux critiques et \u00e0 ses fans, ils lui ont donn\u00e9 le surnom \u00ab\u00a0d’orf\u00e8vre des sentiments et du temps\u00a0\u00bb.<\/p>\n\n\n\n

Mais le livre ne se contente pas de pr\u00e9senter le r\u00e9alisateur et ses films. Il propose aussi de retranscrire quelques passages qui illustrent l\u2019animation japonaise en g\u00e9n\u00e9ral, le travail de Makoto Shinkai<\/strong>, ses inspirations, et les comparaisons qui sont faites dedans. L’animation japonaise \u00e9tant un art \u00e0 part enti\u00e8re qui a su se d\u00e9marquer des autres formes d\u2019expression visuelle par sa richesse et sa diversit\u00e9. <\/p>\n\n\n\n

Alexis Molina<\/strong> nous raconte que Makoto <\/strong>fait partie de ces r\u00e9alisateurs qui ont marqu\u00e9 l\u2019histoire de l\u2019animation japonaise par leur talent et leur singularit\u00e9. Il a su imposer son style unique, reconnaissable entre tous, bas\u00e9 sur une ma\u00eetrise exceptionnelle de la lumi\u00e8re, des couleurs et des d\u00e9tails. Il a su cr\u00e9er des atmosph\u00e8res envo\u00fbtantes et po\u00e9tiques, qui invitent \u00e0 la contemplation et \u00e0 la r\u00eaverie. Il a su raconter des histoires simples mais profondes, qui parlent de l\u2019amour, du temps qui passe, de la distance et du destin.<\/p>\n\n\n\n

Il est sous-entendu dans la seconde partie du livre que les mondes et paysages sont les v\u00e9ritables troisi\u00e8mes personnages, et l’auteur apporte presque autant d’attention \u00e0 leurs d\u00e9tails qu’aux histoires qu’il raconte. Plut\u00f4t que de filmer une balade romantique, il choisit de couper sur la ville, d’illustrer leur conversation par un plan fixe sur l’un des b\u00e2timents de Tokyo que les h\u00e9ros viennent de quitter, ou de s’attarder sur une grue au-dessus d’un campus. L’importance de se proc\u00e9der d\u00e9montre que selon les moments de discussion, Shinkai apporte un plan suppl\u00e9mentaire, ajoutant de la profondeur dans le moment. Pour exemple, deux personnes discutant de cr\u00e9ation divine rendu compr\u00e9hensible par l’homme, Shinkai filme exactement la m\u00eame chose : une construction de quelque chose mat\u00e9rialisant un d\u00e9sir d’\u00e9l\u00e9vation.<\/p>\n\n\n\n

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Makoto Shinkai : L’orf\u00e8vre de l’animation japonaise – en conclusion <\/h2>\n\n\n\n

En tant que lecteur, j’ai parcouru ce livre en faisant un nouveau voyage cin\u00e9matographique en regardant \u00e0 nouveau les films, m’apportant une nouvelle fa\u00e7on d’observer les cr\u00e9ations de Makoto Shinkai<\/strong>. Le fait que par exemple \u00ab\u00a0Your Name\u00a0\u00bb<\/em> soit une \u0153uvre profonde, dont le ciel bien connu est au c\u0153ur de nos m\u00e9moires, il peut aussi se r\u00e9sumer facilement : cailloux et lyc\u00e9ens. En me remettant le film \u00ab\u00a0Les enfants du temps\u00a0\u00bb<\/em>, qui poss\u00e8de l’une des sc\u00e8nes de coucher de soleil la plus jolie que j’ai pu contempler, j’ai constat\u00e9 qu’\u00e0 nouveau, le film poss\u00e8de sa profondeur, mais se r\u00e9sume \u00e9galement facilement : \u00ab\u00a0Temp\u00eates et courses poursuites\u00a0\u00bb.<\/p>\n\n\n\n

J’ai donc remarqu\u00e9 que l’auteur nous offre une profondeur incomparable qu’il est possible de comprendre encore plus en lisant ce livre, tout en ayant une simplicit\u00e9 incroyable, pouvant toucher un public si large que le surnom d’ \u00ab\u00a0Orf\u00e8vre de l’animation\u00a0\u00bb est plus que m\u00e9rit\u00e9.<\/p>\n\n\n\n

Si vous \u00eates fan de Makoto Shinkai<\/strong>, ou si vous voulez d\u00e9couvrir son univers, ce livre est fait pour vous. Vous y trouverez une mine d\u2019informations, d\u2019anecdotes et d\u2019analyses sur ses films, ainsi qu\u2019une invitation \u00e0 voyager dans son imaginaire.<\/p>\n\n\n\n

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\u00c0 propos de l’auteur, Alexis Molina<\/strong>, quand il n\u2019est pas en train de se noyer en essayant de surfer, a soit un livre dans les mains, soit un film sous les yeux. On sait qu’il est fan de jeux vid\u00e9o et manga. Sa m\u00e9thode pour soigner ses diverses \u00ab\u00a0addictions\u00a0\u00bb ? Soigner le mal par le mal. Il en d\u00e9veloppe alors une nouvelle pour le cin\u00e9ma d’Hirokazu Kore-eda. Il a \u00e9crit pour diff\u00e9rents m\u00e9dias, en passant par Eclypsia<\/em>, il est d\u00e9sormais le responsable cin\u00e9ma au Journal du Japon<\/em> o\u00f9, entre deux articles ou interviews de r\u00e9alisateurs, il ne manque jamais, pour boucler la boucle, de pondre quelques lignes sur Murakami ou des surfeurs japonais inconnus. <\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Third Editions nous offre un voyage aux c\u00f4t\u00e9s de Makoto Shinkai qui nous plonge dans l’\u00e9nergie, la m\u00e9lancolie palpable et les th\u00e8mes abord\u00e9s dans ses films. Cet ouvrage est bien plus qu’un hommage \u00e0 ses \u0153uvres, mais \u00e9galement une pr\u00e9sentation d\u00e9taill\u00e9e de l’auteur, \u00e9crit par Alexis Molina. A propos de l’ouvrage La couverture de \u00ab\u00a0L’\u0153uvre […]<\/p>\n","protected":false},"author":473,"featured_media":20192,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_1446140851336450051_1446140851336450051":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_shortscore_rating":"","_shortscore_game":"","_shortscore_summary":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[44,2992,12],"tags":[4924,5248,5003,5309,5004,182,5249],"class_list":["post-20189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-japan-addict","category-livres","category-culture-geek","tag-alexis-molina","tag-la-tour-au-dela-des-nuages","tag-makoto-shinkai","tag-makoto-shinkai-lorfevre-de-lanimation-japonaise","tag-suzume","tag-third-editions","tag-your-name"],"yoast_head":"\n[Chronique] Makoto Shinkai: L'orf\u00e8vre de l'animation japonaise - Game Cover<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gamecover.fr\/chronique-makoto-shinkai-lorfevre-de-lanimation-japonaise\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Chronique] Makoto Shinkai: L'orf\u00e8vre de l'animation japonaise - Game Cover\" \/>\n<meta property=\"og:description\" content=\"Third Editions nous offre un voyage aux c\u00f4t\u00e9s de Makoto Shinkai qui nous plonge dans l’\u00e9nergie, la m\u00e9lancolie palpable et les th\u00e8mes abord\u00e9s dans ses films. 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